Source: flavorwire.com - Sunday, March 15, 2015
AUSTIN, TX: I am writing this on an iPad. My writing music comes into my head courtesy of an iPod Classic, one of the last of the big, 160GB jobbers. A few minutes ago, the iPhone in my pocket buzzed, my wife sending me a video of our baby daughter back home, shot on her matching iPhone. We’re Mac people, is the point; have been since 1999, when I unwrapped my first iMac. But when Steve Jobs died in 2011, I didn’t feel like it was some kind of personal loss. He was a guy who ran a company — a cool company, sure, that made a lot of stuff I liked, but still not someone I felt the need to grieve for on the Internet or in front of an Apple store. I watched that public mourning, didn’t quite understand it, and forgot about it. Alex Gibeny felt the same way, and made a movie. It shouldn’t come as a surprise that Alex Gibney made a movie; he’ll probably make another one in the time it takes me to write this. He’s an absurdly prolific documentarian; this is the third new Gibney movie I’ve seen in five months, following last November’s brilliant James Brown profile Mr. Dynamite for HBO and the Sundance premiere of the controversial Scientology exposé Going Clear . The new film has more in common with that last one than you might think, particularly when they get to the people-lining-up-for-hours-on-end-to-buy-his-stuff scene. “What accounted for the grief of million of people who didn’t know him?” Gibney asks early on, and his film is, at
from Top News on RSS Feeds http://ift.tt/1CjszhN
AUSTIN, TX: I am writing this on an iPad. My writing music comes into my head courtesy of an iPod Classic, one of the last of the big, 160GB jobbers. A few minutes ago, the iPhone in my pocket buzzed, my wife sending me a video of our baby daughter back home, shot on her matching iPhone. We’re Mac people, is the point; have been since 1999, when I unwrapped my first iMac. But when Steve Jobs died in 2011, I didn’t feel like it was some kind of personal loss. He was a guy who ran a company — a cool company, sure, that made a lot of stuff I liked, but still not someone I felt the need to grieve for on the Internet or in front of an Apple store. I watched that public mourning, didn’t quite understand it, and forgot about it. Alex Gibeny felt the same way, and made a movie. It shouldn’t come as a surprise that Alex Gibney made a movie; he’ll probably make another one in the time it takes me to write this. He’s an absurdly prolific documentarian; this is the third new Gibney movie I’ve seen in five months, following last November’s brilliant James Brown profile Mr. Dynamite for HBO and the Sundance premiere of the controversial Scientology exposé Going Clear . The new film has more in common with that last one than you might think, particularly when they get to the people-lining-up-for-hours-on-end-to-buy-his-stuff scene. “What accounted for the grief of million of people who didn’t know him?” Gibney asks early on, and his film is, atfrom Top News on RSS Feeds http://ift.tt/1CjszhN
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